Il film è stato recentemente restaurato dall’Archivio Nazionale “Home Movies” di Bologna per la sezione “Art & Experimental Film” a cura di Jennifer Malvezzi, Mirco Santi e Paolo Simoni.
Extract from the film “It is romantic to explore or the rediscovered Eighteenth Century”, 1970, super 8 mm, color, magnetic sound, about 30′.
The film has recently been restored by the National Archive “Home Movies” of Bologna for the “Art & Experimental Film” section by Jennifer Malvezzi, Mirco Santi and Paolo Simoni.
Il film è stato recentemente restaurato dall’Archivio Nazionale “Home Movies” di Bologna per la sezione “Art & Experimental Film” a cura di Jennifer Malvezzi, Mirco Santi e Paolo Simoni.
The collapse of the “city” … extracted from the film “What happens in the suburbs?”, Super 8 mm film, color, magnetic sound, 14 ‘.
The film has recently been restored by the National Archives “Home Movies” of Bologna for the “Art & Experimental Film” section by Jennifer Malvezzi, Mirco Santi and Paolo Simoni.
Il film è stato recentemente restaurato dall’Archivio Nazionale “Home Movies” di Bologna per la sezione “Art & Experimental Film” a cura di Jennifer Malvezzi, Mirco Santi e Paolo Simoni.
“He was raving…”, extracted from the film “The young wreck”, 1972, super 8 mm film, color, magnetic sound, about 26 ‘.
The film was recently restored by the National Archives “Home Movies” of Bologna for the “Art & Experimental Film” section curated by Jennifer Malvezzi, Mirco Santi and Paolo Simoni.
Bibliografia: Vittorio Fagone, 1977, Lo specchio fluido 1978, Andrea Granchi 1993, Andrea Granchi 1999, Silvia Lucchesi 2005.
Extract from the artist’s film “Perpetual Motion”, 1976, super 8mm, color, 6 ‘. The film provides an improvised sound for the audience on the movements of the image.
Bibliography: Vittorio Fagone, 1977, The fluid mirror 1978, Andrea Granchi 1993, Andrea Granchi 1999, Silvia Lucchesi 2005.
Movements of motionless objects created through light sources. Extract from “Theory of uncertainty”, super 8mm film, color, 6 ‘, silent but an improvised sound is required from the audience on the image of the image.
Il film prevede che i presenti dimostrino “attenzione” ai movimenti dell’immagine producendo suoni o rumori a piacimento.
Recorded fragment of a sound improvisation by spectators during a public screening of the 1978 film “Theory of uncertainty”, Ferrara, Galleria del Carbone, 2019.
The film requires those present to show “attention” to the movements of the image by producing sounds or noises at will.
Andrea Granchi at the Museum of Sacred Art of the Abbey of S. Salvatore, service created by Fabrizio Borghini on the occasion of the anthological exhibition curated by Paolo Castrini, 2019.
Quarantine notebook, scenarios at the time of Coronavirus, notes, works, ideas and visions February-May 2020 for “Fughe da fermi” (“stationary escapes”), a project of the Accademia delle Arti del Disegno by Cristina Acidini with editorial coordination by Enrico Sartoni.
Registrazione live, in occasione di una proiezione pubblica, Ferrara, Galleria del carbone 2019.
Fragment of sound improvisation by the audience on the film “Death of the Movement” 1974, 16mm eastmancolor, 6′.
Live recording, on the occasion of a public screening, Ferrara, Galleria del Carbone 2019.
Registrazione live in occasione dell’evento “incontri con la Videoart”, a cura di Leonardo Moretti, Sala Blu, biblioteca Comunale di Signa, 2018.
Introduction by the author to the film “Theory of uncertainty”, 1978, super 8mm, 6 ‘, with the request to the public for a sound improvisation.
Live recording for the “Encounters with Videoart” event, curated by Leonardo Moretti, Sala Blu, Municipal Library of Signa, 2018.
Art is a creative language … Extract from the film “Theoretical Discourse Of Painting”, 1974, super 8mm film, color, magnetic sound, 17 ‘.